[4HY]≫ Read Free Folk Visions and Voices Traditional Music and Song in North Georgia Art Rosenbaum Margo Rosenbaum Pete Seeger Béla Foltin Jr 9780820346137 Books

Folk Visions and Voices Traditional Music and Song in North Georgia Art Rosenbaum Margo Rosenbaum Pete Seeger Béla Foltin Jr 9780820346137 Books

Download As PDF : Folk Visions and Voices Traditional Music and Song in North Georgia Art Rosenbaum Margo Rosenbaum Pete Seeger Béla Foltin Jr 9780820346137 Books

Folk Visions and Voices Traditional Music and Song in North Georgia Art Rosenbaum Margo Rosenbaum Pete Seeger Béla Foltin Jr 9780820346137 Books

Rosenbaum has a reputation as a musician, artist, and collector of traditional music, especially in Georgia. I feel like Georgia is under-represented in the body of collected Appalachian music -- more effort has been put into Tennessee, North Carolina, and the Virginias. It's nice to see a collection like this specifically focused on Georgia.

The book features stories and interviews with about twenty musicians (individuals or groups). There is a nice mix of black and white performers, religious and secular, guitar and banjo, folksong and blues, well-known and obscure. And then Howard Finster, who is a genre unto himself. The introduction to each performer is based around interviews and conversations, and Rosenbaum works in a little historical background.

Rosenbaum has collected from each performer a few sample songs, including standard musical notation and lyrics (most of the pieces are vocal). Four or five have accompanying banjo tab; one or two have guitar tab. A few of the pieces are original compositions by the performers, but most are widely known. Rosenbaum, in the brief sentences that introduce each piece, often notes how the version he collected compares to other performances in other geographic areas. Some recorded versions of the songs are listed if applicable.

The book is illustrated by photographs and by Rosenbaum's original paintings and drawings. The photographs are very welcome, the original paintings and drawings less so. Rosenbaum is a Renaissance man, but I think he's a better musician and writer / collector than an artist. That's a personal opinion, of course; I'm more interested in the music.

This is an excellent book to become acquainted with the diversity of traditional music in North Georgia. It's not a comprehensive overview or exhaustive song catalog, but the representative artists and musical selections are interesting and instructive. I respect what Rosenbaum has done, and I think he's given us a very valuable book.


Tags : Folk Visions and Voices: Traditional Music and Song in North Georgia [Art Rosenbaum, Margo Rosenbaum, Pete Seeger, Béla Foltin Jr.] on Amazon.com. *FREE* shipping on qualifying offers. Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia,Art Rosenbaum, Margo Rosenbaum, Pete Seeger, Béla Foltin Jr.,Folk Visions and Voices: Traditional Music and Song in North Georgia,University of Georgia Press,0820346136,Genres & Styles - Folk & Traditional,Fiddle tunes,Folk music - Georgia,Folk music - Georgia - History and criticism,Folk songs, English - Georgia,Georgia,FOLK MUSIC,Folk & traditional music,General Adult,Local Emphasis,MUSIC Genres & Styles Folk & Traditional,Music,MusicSongbooks,Non-Fiction,UNIVERSITY PRESS,United States

Folk Visions and Voices Traditional Music and Song in North Georgia Art Rosenbaum Margo Rosenbaum Pete Seeger Béla Foltin Jr 9780820346137 Books Reviews

Rosenbaum has a reputation as a musician, artist, and collector of traditional music, especially in Georgia. I feel like Georgia is under-represented in the body of collected Appalachian music -- more effort has been put into Tennessee, North Carolina, and the Virginias. It's nice to see a collection like this specifically focused on Georgia.

The book features stories and interviews with about twenty musicians (individuals or groups). There is a nice mix of black and white performers, religious and secular, guitar and banjo, folksong and blues, well-known and obscure. And then Howard Finster, who is a genre unto himself. The introduction to each performer is based around interviews and conversations, and Rosenbaum works in a little historical background.

Rosenbaum has collected from each performer a few sample songs, including standard musical notation and lyrics (most of the pieces are vocal). Four or five have accompanying banjo tab; one or two have guitar tab. A few of the pieces are original compositions by the performers, but most are widely known. Rosenbaum, in the brief sentences that introduce each piece, often notes how the version he collected compares to other performances in other geographic areas. Some recorded versions of the songs are listed if applicable.

The book is illustrated by photographs and by Rosenbaum's original paintings and drawings. The photographs are very welcome, the original paintings and drawings less so. Rosenbaum is a Renaissance man, but I think he's a better musician and writer / collector than an artist. That's a personal opinion, of course; I'm more interested in the music.

This is an excellent book to become acquainted with the diversity of traditional music in North Georgia. It's not a comprehensive overview or exhaustive song catalog, but the representative artists and musical selections are interesting and instructive. I respect what Rosenbaum has done, and I think he's given us a very valuable book.